James A. Michener, in his book, Texas, best
described the Ellis County Courthouse as "A fairy
tale palace.replete with battlements and turrets and spires.and
miniature castles high in the air.one of the finest buildings
in Texas." It is indeed a jewel of a building that
has been designated as number eight on the list of outstanding
architectural achievements in Texas.As you begin your Courthouse tour, start on the Southwest side with the
bronze statue of Richard Ellis, by international and Smithsonian
registered sculptor, A. Piccirillo. Knowing the Ellis
County history, which began over 150 years ago, will help
you appreciate its Courthouse. The County was named after
Virginia born Ellis, President of the defiant 1836 Constitutional
Congress, which declared Texas independence from Mexico.
The voters, who were told by the state legislators to
call it Waxahachie-a Tejas Native American word for "buffalo
creek", decided the location of the County Seat.
Sixty-two acres boarding the Waxahachie Creek, donated
by one of the earliest settlers, Emory W. Rogers, became
the site for the Courthouse.
Courthouse History
Texas has more Courthouses
(225) than any other state-86 are on the National Register
and 78 are Texas Historic Landmarks. Courthouses have
always been a symbol of self-government and civic pride.
Collectively, the courthouses were viewed as a sign of
progress. They serve as the heart of the community and
the hub of social activity. The Ellis County Courthouse
was no exception to the rule.This is the fourth courthouse
to stand on this site, starting with an 1850 log cabin
for $59, then in 1885 a wooden frame structure for $1999,
to a two-story yellow limestone building for $40,000,
and finally, the most recently restored Courthouse was
accepted in 1897 for approximately $130,000 plus the supervising
architect's fee.
Life In Prosperous 1890 Ellis County
It
is easy to understand the need for this larger (and more
magnificent) Courthouse when one realizes that the County
population had grown by 50% between 1880 and 1890. Despite
the national economic crash in 1893, local paper of 1894, "The Enterprise"," reported that the County
was said to be in the heart of the wealthiest and most
productive part of the state. Because of its black loamy
prairie soil, it was perfect for all kinds of grains,
cotton and corn. It was considered the garden spot of
the South. The article continued by touting that Waxahachie
was the judicial meat of Ellis County and a city of intelligence
and wealth. Land was selling for $15 to $20 an acre and
a quart of homemade chili was 25 cents. The City had two
railway lines, three national banks, and a land mortgage
bank. Farmers were getting high prices for their seeds
and crops because of four local cotton gins, two flouring
mills, and one of the most prosperous cotton oil mills
of the day. Waxahachie received more cotton direct from
producers than any other city in the world.
Construction of the Courthouse
Not to
be outdone by their neighboring counties, the Ellis County
Commissioners set about to build their new Courthouse
on a grand scale. The timing was right since the 1881
Texas State Legislature had authorized bonds for building
new Courthouses. Even today, controversy abounds about
the actual construction of what would become one of the
most artistic and beautiful public buildings in the South.
With the boom in Courthouse building, sales/contractor
Otto Kroeger came to Waxahachie to sell a stock courthouse
plan designed by noted architect James Riley Gordon. Gordon
apprenticed under W. C. Dodson, architect of the Hillsboro
Courthouse. Gordon was known for his Richardsonian Romanesque
style, and he would be credited with over 60 courthouses
nationwide, including 16 in Texas. Gordon as selected
to represent Texas at the World's Columbian Exposition
in 1893. This Exposition set the tone for buildings in
America for years to come-which was classical design based
on monumental renaissance architecture. This high honor
probably accounted for the selection of his plans, without
any competitive bids.A savvy Kroeger negotiated a contract
with county officials and demolished the old courthouse
before a second set of County Commissioners took office.
Only one Commissioner, Finley, retained his office. Some,
today, believe that the radical change in the Commissioners
Court was due to the extravagance of the Courthouse contract.
But national politics probably played more of a role.
There was no mention of the Courthouse construction in
the general election and the local economy was prosperous,
thus giving credence to the political climate as being
the reason for the Court's change in composition. In 1895,
the new Court stopped construction and hired the Fort
Worth firm of Messer, Sanguinet and Messer to be the "on-site
architect" and supervisor of Kroeger. They were to
review the plans, make suggestions and hire an on-site
superintendent if necessary. Sanguinet did all of the
above and hired R. Parry as superintendent. The local
citizens knew Marshall Sanguinet since he had created
the bank building directly North of the Courthouse. Kroeger
agreed to the concessions and reimbursed the County for
salvaged materials from the razing of the third Courthouse.As
you walk around the building, keep in mind that 50 to
70 men worked on the construction of this Courthouse at
a monthly payroll of $5,000. This massive and stately
edifice (23,739 square feet) stands nine stories tall,
with a working clock tower featuring an 800-pound bell.
Towers were frequently featured in the Richardsonian Romanesque
(also known as Romanesque Revival and Renaissance Revival)
design. The Courthouse sits on a three foot thick twisted
steel and concrete foundation that supports 12 inch steel
beams-giving it a heaviness of style-a characteristic
of the design of H. H. Richardson, know as "the architects
architect." In 1885, five of his buildings were ranked
in the top ten buildings in America. The first on the
list was Richardson's Trinity Church in Boston (1877).
Not many architects have been credited with their own
national style.This type of architecture always utilized
brick or stone. Gordon combined both, by contrasting textures
and colors of masonry, including a gray granite base,
rose pink granite walls, Burnett County limestone, and
Pecos Red sandstone. The sandstone may have been a replacement
for granite as was the slate replacing the roof tile as
a cost cutting measure by the ever price-conscious Sanguinet.
In addition, turrets, some with curved glass, massed short
robust columns, deep set windows, semi-circular arches,
cavernous recessed door openings, and unusual sculptured
shapes made this building the epitome of this revival
style, a showplace for its time and today. Other elements
set this structure apart from its contemporaries-such
as the 21 exquisitely carved stone faces that decorate
the porches, gleaming copper gutters and downspouts and
four soaring bronze eagles.The stone sculptures are particularly
important because Sanguinet sub-contracted the stonework
to the Dallas firm of German stonemason Theodore Beilharz.
The ascetic carving of the stone ornamentation is attributed
to Harry Herley, and sets the Ellis County Courthouse
apart from any building in Texas. Fables surround stonemason
Herley and Mable Frame, a daughter of a local boarding
house owner. Some believe their unrequited love became
the subject matter for the many faces that decorate the
facade. However architectural history illustrates that
the carving design and subject matter is commonly found
on European Romanesque buildings, the architectural parent
of this revival design.It was no wonder that in the invitation
for the laying of the cornerstone, it was proposed to
make that day "the grandest day in the history of
the County" and that every citizen should take an
interest in this "temple of justice." Since
all of the marble floor tiled entrances face the points
of the compass, go to the North side main entrance (the
most heavily carved of all entrances) of the Courthouse.
There you will find what has been called locally the "dueling
cornerstones." As you read the stones, imagine that
you can hear, on July 4, 1895, Judge J. C. Smith proclaim,
"A temple that will for ages stand out in golden
letters on the history's page of Ellis County as a milestone
on the eminent highway tread by our generation."
The Commissioners Court ordered the Masonic stone, and
Kroeger-showing that they had resolved the controversy
and eliminated the hard feelings-purchased the other stone.
Both old and new commissioners' names appear in a standoff
in perpetuity. Listed in the National Register of Historic
Places, our Courthouse is also recorded as a Texas historic
landmark. As the centerpiece of the Nationally Registered
Ellis County Courthouse District, there are an additional
42 contributing members (buildings) of the District around
the business square. Before you enter the Courthouse through
the handicapped entrance, please read the official state
marker.
Courthouse Interior
As you enter the
basement of the building you will notice some evidence
of its two million bricks, which have been plastered over.
Please keep in mind that the contract called for heating,
lighting and plumbing. When it was turned over to the
County, there was to be nothing to do but "raise
the steam and press the button." This building was
"state of the art" for the nineteenth century.
The ventilation system was unique in that it operated
by using central staircase as an air shaft that allowed
air to circulate from the windows through the transoms
in the surrounding offices and courtrooms of the building
and out through the "wind chimney" at the top
of the stairs. In addition, the 20" thick brick and
plaster walls, as well as the nineteen and one-half foot
high ceilings, allowed the occupants to stay cool in the
Texas summers.All of the updated mechanical systems have
been placed under the porches or crawl spaces to be out-of-sight
and make the building appear as it did in 1897. The electrical,
plumbing, and 21st Century services are hidden in the
floors, walls and ceilings. Some of the interesting artifacts
in this basement area are: the cornerstone from the third
Courthouse, the coal shoot, and several old graphic painted
signs. Architectural features include the converted two-story
vault (now a public restroom), arched ceilings and a new
elevator (offices were gutted to make room for it and
the fire stairs). The basement houses the Ellis County
Visitors Center, break room, Indigent Health Office, and
Constable Offices. To continue the tour, take the elevator
to the third floor.Courthouse Third FloorPass through
the oak wooden doors to enter the balcony of the courtroom.
This incredible area epitomizes what. Richardsonian Romanesque
is all about. It is referred to as "dynamism of interior
space." The curvature of the balcony (now capable
of holding 275 people) may not be the original design,
but was approximated by visiting other courtrooms of the
same vintage. Added glass and handrails are needed today
to meet the safety building codes. The paint colors in
the hall, as well as in the basement, are of a more neutral
pallet. You will also see that some of the woodwork is
painted, which may have been done to save money. The paint,
wooden blinds and accessories were all researched for
historical accuracy. The lights are reproductions based
on the styles of the period. The hall plaster arches,
moldings and wood trim are essentially original to the
building. As you look into the rooms, notice that the
balconies were not only beautiful, but were functional.
They allowed occupants to get a breath of fresh air and
to take in the view of the city. They also were used to
make public announcements-the last such proclamation is
said to be that of the deaths of Bonnie and Clyde.
Courthouse Second Floor
As you walk down
the stairs to the second floor, admire the beautiful iron
grillwork, cast iron staircase and textured plaster wainscoting.
On the second floor, you will notice a color shift to
a more elaborate color pallet. The floors are marble and
the office floors are linoleum, a predecessor to wood
floors in commercial buildings. This was an interesting
characteristic of the period. This floor houses the Treasurer's
Office, which features the original Clerk's Cage, made
of carved oak and metal. The meeting room in the old vault
is an obvious reuse of the space than it was in the original
building.Proceed into the County and Commissioners' Courtroom.
There are no records as to how it originally appeared,
but there are clues in the building itself-such as the
judge's bench, column bases, walls and windows. The judge's
bench is original, except for the reproduced top that
had been destroyed or lost. In 1915, the second story
of the courtroom was floored over for additional office
space. Of additional interest are the portraits of many
of the former judges that presided in this courtroom.
Most of the furniture throughout the Courthouse, and this
Courtroom, is original, including the railing, judge's
bench, backdrop and newel posts. For its time, the craftsmanship
is unequaled. The furniture was designed and produced
by Sanguinet's firm. The furniture hardware is particularly
beautiful and should be noted, as is the copper plated
hardware throughout the Courthouse.
Courthouse First Floor
As you walk down
to the first floor, notice the well-designed crown molding,
as well as the beautiful egg and dart arched molding trim.
The oak and acorn plaster molding has been painted to
look as if it were carved wood. This beautiful plasterwork
helps to hide and decorate the massive reinforced concrete
and steel construction that comprises the ceilings.This
floor contains the Justice of Peace Offices and Court,
County Judge Administrative Offices and his Administrative
Assistant's Office. This office was once the County Sheriff's
Office and bears a bullet hole-a sign of a more violent
time that dates to 1920. At that time, a prisoner's girlfriend
secretly gave him a pistol when he was in custody. A shooting
ensued that resulted in the death of the prisoner, and
a deputy was wounded during the ruckus.The J P Courtroom
has metal pre-cast Corinthian columns, pine floors, a
secure hidden stairwell for the prisoners, and the judge's
carved backdrop. The wood of the Courthouse is of particular
importance-it is old growth longleaf southern yellow pine.
This beautiful hard wood is no longer available because
it came from old growth forests. The replacement lumber
for the restoration effort was secured from other old
buildings of the period. As you can see, every office
contained a vault. This vault area has also been converted
to meeting rooms. Of particular interest are the doors
to the vault and the window locking metal shutters to
make the vault secure at night.
Restoration
In 1998, during his re-election,
then Governor G. W. Bush announced his intent to restore
many of the historic Texas Courthouses. With $50 million
to start the program, on May 4, 2000, there were 19 Texas
Counties, including Ellis, that were able to receive matching
grants. The Texas Historical Commission was responsible
for developing and administrating this project. Ellis
County received the third largest share of these monies.The
Courthouse restoration was desperately needed because
of dangerous deterioration and inadequate systems and
ADA compliance for the new millennium. The roof was replaced
and waterproofed in 1999. All of the employees moved out
of the building in December of 1999. Demolition, lead
paint abatement, and elimination of all non-historic improvements
took four months. Many window frames had to be replaced
because of water and termite damage. All of the exterior
stonework was tuck-pointed using a historically correct
mortar mix. Making plaster molds and recasting of broken
and missing pieces of columns, cornices and decorative
sculpture was time consuming and expensive.Restoration
involves many hours of research for historical data, materials,
architects, builders, artisans and craftsmen. The process
involves demolition of inappropriate changes, abatement
of environmental hazards, repair of remaining correct
structural and decorative elements, waterproofing creative
installation of mechanical and communication systems,
and fireproofing and compliance with ADA codes. It is
much more difficult and expensive than new construction,
but the end product is one that is irreplaceable.On January
3, 2000, Judge Cornelius stated, "We have a duty
to maintain part of our heritage here and remember where
we came from." This stewardship has resulted in a
fine restoration whose costs, including refurbishing furniture,
landscaping, and 21st Century modernization will be approximately
$10 to $12 million. This returns the Courthouse to its
former glory as a working government facility that will
also educate visitors, about the architectural style,
and the culture and values this bygone era.The restoration
is now an integral part of the history of the Ellis County
Courthouse. As you revisit this 1897 outstanding architectural
specimen, know that it reflects the spirit and love of
the citizens of Texas and Ellis County for their history
and faith in our American system of government.
Restoration Credits
Although there are
many people that make the restoration a success, there
are certain people that should be identified for their
unique contributions. Some of the name of individuals
and organizations are as follows:
ARCHITEXAS
Larry Isirk-Principal in Charge
Craig
Melde-Principal
Gary Scotnicki-Principal
David Singer-Preservation
Specialist
Devlin Shelton-Preservation Specialist
GENERAL CONTRACTOR
Thos. S. Byrne, Ltd.
CONSULTANTS
Steve Gumm-O'Dea, Lynch,
Abbitista Engineers
Steve Lucy, Jaster, Quintanilla and Associates
Craig
Haney, IntroSpec
Chris Jordan, Electro Acoustics and Video Texas
Historical Commission (THC)
Sharon Fleming, THC Architect
Stan
Graves, Director of Architecture
Lawrence Oaks, Executive
Director, THC
Ellis County Citizens
County Judge Al
Cornelius; County Commissioners Ron Brown, Jerry Holland,
Hallie Jo Robinson, Jackie Miller, Sr., Charles Waller;
Jo Bhore, State Representative Jim Pitts; and Fred Weldon.
This
brochure is provided by
Ellis County Historic Commission and
Historic Waxahachie Inc.
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